Nina DiGregorio is an internationally recognized violinist known for her versatility across classical, contemporary, and live touring performance. Her career spans solo work, orchestral performance, and collaborations with globally recognized artists across multiple genres.
She has toured extensively and performed alongside artists including Cirque du Soleil, Evanescence, Disturbed, and 2Cellos, bringing the violin into large-scale productions and modern performance environments.
With a foundation in classical training, Nina has developed a style that moves fluidly between traditional repertoire and contemporary music. Her work reflects a balance of technical precision and expressive performance, whether on stage, in the studio, or in collaborative settings.
Nina performs on a Viper, incorporating its extended range and stage-ready design into her live performances.
“The Viper gives me the freedom to move and perform in a way that feels natural on stage. It allows me to focus completely on the music.”
Her approach to performance reflects a broader evolution of the violin, one that adapts to modern stages while maintaining the depth and discipline of classical training.
Nina DiGregorio is an internationally recognized violinist known for her versatility across classical, contemporary, and live touring performance. Her career spans solo work, orchestral performance, and collaborations with globally recognized artists across multiple genres.
She has toured extensively and performed alongside artists including Cirque du Soleil, Evanescence, Disturbed, and 2Cellos, bringing the violin into large-scale productions and modern performance environments.
With a foundation in classical training, Nina has developed a style that moves fluidly between traditional repertoire and contemporary music. Her work reflects a balance of technical precision and expressive performance, whether on stage, in the studio, or in collaborative settings.
Nina performs on a Viper, incorporating its extended range and stage-ready design into her live performances.
Her approach to performance reflects a broader evolution of the violin, one that adapts to modern stages while maintaining the depth and discipline of classical training.